Jemima Santiago

I Learned from the Best

Entering play production I naturally expected to just act. I assumed that I would be an actress and strictly learn lines and play a role in the production of Macbeth. I would not have expected to be a fight captain and learn stage combat. As a fight captain I was responsible for a number of things. I had to have every fight scene committed to memory in the play. Not only that, but I had to run warm ups and run through a countless number of fights before, and sometimes, after daily rehearsals. If some actor was screwing around, I and the other fight captain had to take control and do what had to be done because other students' safety were jeopardized. Along with these tasks, the number one duty I had was to set a good example for the other actors. I had to keep mature and help others. I was chosen for that position for a reason, and it was fitting that I set the example.

As a fight captain there was a definite impact on me as a performer as well as a human being. I learned that fight scenes in movies, television and theater are intricately crafted by best of the best. As a human being it taught me discipline and awareness. The rules had to be strictly followed because with one slip up, anyone could get hurt. Learning several fight choreographies was a very difficult task. Being responsible for each actor was a greater task. I had to be alert and make sure that they were safe. I was more aware of the things such as their movements, my movements, their surroundings and mine. I grew in many ways. Personally I became more mature. Messing around was not an option and I became a more disciplined performer. Professionally, it opened my eyes to all the aspects involved in productions. The fight masters, Ri and Dennis played a crucial role in all of this. They taught me and others everything we know. They always were patient and willing to teach us. They imparted knowledge on us that we could not be able to learn anywhere else.

In the production of Cancel Christmas I played a role as a scenic designer. Active in the arts I was delighted to find out that I would have the opportunity to help design the set. Matt and Kristen have certainly opened my eyes to technical theater in a several ways. I never knew how important the set was to the overall production. I initially thought that the acting was key but I realized that the scenery was just as important. My view on the art has definitely changed. I learned methods of painting, mixing colors, constructing mini sets, measuring, and much more. I saw how much they conserved materials to create something as grand as the set for Cancel Christmas. They showed me how a bucket of paint and a duster could fake as wallpaper. I could see myself heading in a career as a set designer; not only for the financial gain but for the personal gain. I saw that Matt and Kristen found gratification in what they do.

Mr. Copley's decision in bringing in professional help in his productions has been most influential. My appreciation for the arts has developed greatly. I have discovered so many layers in this line of work. My passion for acting has surpassed my own expectations. I would know love to go into "behind-the-scenes" work. Mr. Copley did not have to bring in professional help. He did not have to expose us to such eye-opening features. But because he did, kids like me gain a better understanding and greater appreciation of the arts.